Thursday, November 27, 2025

Swimming with dolphins

Some people migrate for a fresh start. Others migrate and carry along their baggage.

It’s like that one toxic relative who loudly announces to the whole clan that they have “cut ties” with your family — complete with the dramatic move to the opposite end of the island just to prove the point. Then they post a photo swimming with dolphins to display emancipation.

But come Hari Raya, they still quietly ask around about your family, then twist whatever updates they hear to fit their own narrative, just so they can justify why they’ve been avoiding you all these years. The more your family progresses, the more they try to dig up dirt… except they only have outdated secondhand info from aeons ago.

After a while, everything they say just sounds like a broken record.

Suddenly they reinvent themselves as the “truth-teller” about a clan they have not lived with in ages. They act like physical distance gives them moral distance.

If cutting ties was supposed to set you free, why are you still doom-scrolling Singapore news? The dolphins find you repulsive now? Maybe use that energy to actually build your life. Age with some dignity. Be a useful citizen in your new community. 🙃

Or you can visit the Uluru, I heard the rock can be meditative. Or go meet Pauline Hanson. 

Unless you choose to stay bitter and vindictive into retirement. That is your business. You are, after all, a grown adult. But honestly, looking at how some rage-bait narratives on Singapore from up North still cling to old grudges, it’s clear that some people carry their baggage everywhere they go.


Read article here.


Wednesday, November 26, 2025

Primary School Leaving Examination

Congratulations to all students on their Primary School Leaving Examination results. And to the parents: every kid blooms at their own pace. Some early, some later. What matters is that you’re there, present, walking with them.

Just thought I’d share my PSLE journey. 

For my blue-collar parents in Taman Jurong, PSLE was their kids’ first big chance to level up the family. My older siblings did well and made it to good national schools. I could sense my dad wanting his youngest son to go even further.

When my results came in, it felt like his hope was finally within reach. My grades could get me into any “premiere” school in town. I suspect a small part of him wondered about the cost. Could he cope if I went to one of those atas schools? In the end it was a toss-up between Anglo-Chinese School, Raffles Institution and St Joseph Institution (The Chinese High School was somehow not in the equation). I can’t remember how ACS happened but knowing how forms used to work, maybe alphabetical order decided my fate.

So ACS it was.

My dad was a soft-spoken, unassuming man, didn’t talk much because too tired after a long day at work. He’d just watch us when all the siblings studied at the dining table. But once in a while there’d be that sudden burst of ambition - a calculated, gung-ho “just go for it.” That fire was what pulled all of us out of the blue-collar cycle many pioneer-generation Baweans were stuck in. It was very “get your foot in the door first… worry later.”

I still remember he took 5 days of half-day leave just to send me on that 1-plus hour bus ride from Taman Jurong to Barker Road at Bukit swanky Timah. (There was only one ACS then.) And the weekend before school started, he was studying the school badge like it was a precious artifact. Holding it to the common corridor during daylight, then the fluorescent lamp, then the morning sun. He realised the blue ink had a turquoise shade because the grooves were filled with colour, not just printed.

That image stays with me. A father quietly marvelling at a school badge, maybe trying to imagine a future bigger than the one he grew up in.

I think he shared the same anxiety many parents feel now. He was relieved I cleared that milestone. Maybe he also knew PSLE is a heavy load for a 12-year-old. Maybe he wished kids could just play more. But he also understood that if he ignored the PSLE system entirely, he’d be closing the door that could pull his kids out of the harsher blue-collar cycle, Taman Jurong.

Every generation tries to build one step higher. That was his way.



Wednesday, November 19, 2025

Aba

Today I was shaken by the news of the passing of George Abraham. I hadn’t checked the Commando 1st Company chat group for a few days, so it was a shock to see your face suddenly appear on a funeral notice at 3am. It didn’t feel real.

I’m sorry I can’t make alternate arrangements to see you one last time, brother. Filming is locked in, and I wish it wasn’t.

The first thing that came to mind was the couple of times we did guard duty together. Somehow we always kena that most unpopular prowler shift. But it was during those long, quiet walks that I really got to know you. We clicked. We talked about art, artists, films. all this long before I knew I’d end up in film school. Only after ORD did I find out you were a painter yourself. No wonder our conversations felt different.

And the music. Sail­ing by Christopher Cross. Leader of the Band by Dan Fogelberg. We had so many theories about what those songs meant. In a company full of loud, competitive young men trying to prove themselves, you were one of the few I truly connected with. Your reflective demeanour, your deadpan dark humour - strangely comforting companions on those graveyard shifts.

It’s easy to bond when both of you knew you’re not the “perfect soldier.” You joked about how bad you were at Taekwondo, especially your flexibility. I laughed and admitted my reaction time was hopeless. Maybe that was it - two young artists trying their best in a place that demanded something else entirely. Two outsiders figuring out where we fit.

Maybe it was the salty Changi breeze blowing through Hendon that made us honest. Maybe it was just you.

We were definitely not supposed to sneak walkmans into prowler duty, but we did. And every time Leader of the Band played, these lines always stopped us in our tracks:

A quiet man of music denied a simpler fate
He tried to be a soldier once, but his music wouldn’t wait…

We knew that feeling. Trying to be something the world expected of us, while the art inside refused to stay quiet.

After ORD, our paths drifted. And like many of us, reconnecting became harder as the years went by. Especially when the world I ended up in was 180 degrees away from everyone else’s. But those conversations, that humour, that artist's soul of yours - they stayed.

And now, thinking about you, I realise something:
I wasn’t the only one walking those dark hours with an artist’s heart.

One for the PJI in the sky. 
Rest easy, Aba.
May you find your peace.

Your song lives on in people like me - the ones who were lucky enough to walk those quiet nights with you.


Sunday, November 9, 2025

Grit, Grace, and the Quiet Strength of the Heartland


Took shelter at the neighbourhood library for a bit while the sun burnt outside. The old heartland I'm at is diverse and colourful, including what some might call the grittier side of the estate. Newer, younger residents have moved in, but there's still a fair share from the louder, livelier side of the neighbourhood - the residents whose struggles are sometimes mistaken for indifference.

While I was cooling off, two guys who looked like they needed a little bit of scrubbing walked in, talking loudly on speakerphone via FaceTime.

An elderly lady in the video laughed when told the brothers were in the library.
"Bagus lah!"
"Ah duduk ah korang lama2 dalam situ."
The fan at home is down. It may take some time before "pakcik" gets a new fan.

One of the cats was still missing! To look for it again when they got home.
"Kesian Kiki! Entah makan ke tak"

And don't forget to buy dinner!
"Cik tak larat nak masak hari ni.."
(... more incomprehensible jibes...)

People turned to look at the small disruption that broke the neat orderliness of the space. The older, tattooed one smiled at me, I waved back.

Community isn't always quiet or tidy. It's just different people finding ways to survive the same grind.



Monday, October 13, 2025

Prominent Singaporean Malays



I hold back any pride, humbled to be listed among the 60 notable Malays in the last 60 years alongside trailblazing peers and extraordinary Singaporeans in various fields whose contributions I look up to. I also had the honour to spend some time up close with many while documenting their lives on my documentaries.

Upon reflection I notice many of the individuals were pioneers with roots across the various lands in the Malay Archipelago. They made Singapore home and thrived. Like them, my grandparents crossed seas from Bawean and planted roots here - proof that home is not where you begin, but where you choose to build and belong 🇸🇬

As a filmmaker I’m deeply aware of the cultural weight that comes with being a minority voice in this country. So this listing isn’t something to celebrate, but something to carry. It reminds me of the responsibility to tell our stories with honesty, to open doors for others, and to honour those whose shoulders we stand on. If my work leaves even a small trace of light for those who come after, then it has done its part.

Check out the National Library Board of Singapore website for details.

The Prominent Malays of Singapore (PMoS) online portal was officially launched at the National Gallery Singapore.

Jointly developed with the National University of Singapore's Department of Malay Studies and with the support of partners, the Malay Language Council and Berita Harian, this bilingual portal chronicles the remarkable contributions of over 100 influential Malay figures across the arts, community, business, Government, sports and more who have shaped our nation over six decades.

The launch will be followed with a roving exhibition across seven libraries from October 2025 to March 2027, bringing these inspiring stories closer to all Singaporeans!

Discover the Prominent Malays of Singapore online portal here: https://go.gov.sg/nlb-pmos


Sunday, September 7, 2025

Our Collective Spirit



When I was commissioned to make a film for cine65 Season 5 (2019), under the theme “SINGAPURA”, I thought of a Singapore that embraces everyone — a home shaped by many hands, where every contribution matters.

My short film, Sama Sama, was born from that vision: that the story of Singapore is a shared one, built not by a few, but by the collective effort of rakyat Singapura "the Singaporean".


That’s why I was especially heartened to see Sama Sama resonate with President Tharman Shanmugaratnam and Prime Minister Lawrence Wong — both of whom have expressed, with clarity and wisdom, what it means to move forward together as a society.
“Progress means recognising the value in every job – in the trades, crafts, and services, no less than in offices and boardrooms – and ensuring that everyone who contributes to society earns respect and can build a good life.”
President Tharman Shanmugaratnam
(Opening of Parliament Address, 5 September 2025)


“To keep Singapore going, we must be a ‘We-First’ society. Because if everyone only thinks about ‘me’, and puts ‘me’ ahead of ‘we’, then we are finished… But if each of us does our part for the ‘we’ – care, contribute, and look out for one another – then the ‘me’ will thrive and flourish too.”
Prime Minister Lawrence Wong
(National Day Rally, 17 August 2025)
Their words are a timely reminder that we all have a role to play in keeping this home strong. 

I’m grateful that Sama Sama could play a small part in echoing that message.






Saturday, August 9, 2025

SG60 Story

It's a wrap!

There comes a time when a story speaks to you. Not because it is loud, but because it sits quietly close to your heart. You feel it is worth telling, not for spectacle or clicks, but because it holds something we all recognise - the quiet perseverance, the dignity in struggle, the way ordinary lives shape who we are.

We have become so driven by algorithms, by what trends or tests well at the box office. I understand the need for profits, we all do, but we cannot keep ignoring the stories that make us human. And if we are honest, audiences are unpredictable anyway. The biggest hits often come from the least expected places.

AIDIL and ADA JALAN are two of those stories. They have been sitting on the backburner for years, perhaps because they do not fit into easy categories. Perhaps because they are not algorithm-friendly. But perseverance matters. And stories like these, however small or quiet, remind us where we come from. They help us remember what connects us before all the distractions of box office targets and commercial noise.

I am deeply grateful that AIDIL and ADA JALAN found their way forward through the SG STORY microseries project. They have gone through many versions over the years, but one thing has stayed constant - their heart, and the original characters who inspired them.

Sometimes, the stories worth telling are the ones that quietly stay with us, waiting for the right time to be heard.



(The SG60 Story microseries is scheduled to be released from mid September 2025)

Wednesday, July 2, 2025

The Proud Chauffeur

Haji Akhmari bin Ahmat, circa 1950s
(Image courtesy of Hazrul Azhar Jamari)*

This is Haji Akhmari bin Ahmat, a first-generation immigrant to Singapore from Bawean Island, Indonesia. Like so many from that little speck of land north of Surabaya, he braved the rough Java Sea in search of something better, a chance to build a life of dignity for himself and his family.

He arrived in Singapore with almost nothing. No formal education. Just calloused hands, an unbreakable spirit, and the quiet conviction that things could be better here. It was a hard life. But in his heart, this adopted homeland, with all its struggles, still felt kinder than the island he left behind.

Haji Akhmari eventually found work as a driver. It wasn’t just a job, it was his purpose. The best work he ever had. He drove until the day he retired. With that single income, he raised many children who grew up attending good schools, finding good jobs, and becoming good Singaporeans.

He was never merely a "driver". He was a chauffeur in the truest sense, the man trusted to ferry some of Singapore’s most prominent post-colonial tycoons. Name any famous business figure of the era, and chances are Haji Akhmari had once held the wheel for him.

What made him truly remarkable was that he belonged to a unique tradition. Among the first-generation Baweans here, many took up the work of chauffeurs and did it with an almost sacred pride. To them, a car wasn’t just a vehicle. It was a second home. And for the Bawean, the state of your home spoke volumes: a clean, welcoming space was proof of good family, good upbringing, good lineage.

A tired boss stepping into that spotless car was, in a small way, stepping into comfort, into respect, into trust.

Haji Akhmari may never have thought of himself as part of Singapore’s nation-building story. But he was. Like hundreds of other humble, proud Baweanese men of his generation, he showed up every day with quiet professionalism and did his work so well that it elevated everyone around him.

I am honoured to share a story inspired by this vignette of a little-known chapter in our history for SG60. I look forward to telling these stories of resilience, dignity, and the quiet, everyday greatness that built this place.

*(Image courtesy of Hazrul Azhar Jamari, whose generosity keeps stories like his grandfather’s, part of our pioneer generation, preserved as Singapore’s heritage for generations to come.)

A Socio-Economic History of the Early Baweanese Community through Kampung Boyan

Monday, May 19, 2025

Quiet mornings with Mother; the mornings she made.

I woke up very early this morning. The Art Club was only due to start at 9.30am, but still, I found myself stirring before the sun.

I was in Primary 2.

My regular classes were in the afternoon, but on days when I had morning ECAs, I had to wake up early—though still a little later than my older siblings, who were already off for their own morning sessions. I would also find Father sitting, a moment by himself having breakfast. Father glanced at me, smiled and continued eating.

Mother would send me to school on her way to work at the Japanese company. where she took care of the pantry and tidied the office at the end of the day.

Mother was worried I wouldn’t wake on time on my own, or worse, get lost taking public transport alone. I was usually on a chartered school bus in the afternoons, so these mornings felt different.

Special, even.

We’d arrive at school just after the morning flag-raising ceremony. Mother would walk me to the canteen and sit with me for a while. She’d smooth out the creases in my light blue uniform, remind me not to run around and get dirty before class in the afternoon—“The teachers won’t like it,” she’d say.

Then she’d check my packed lunch. Always something she threw together in the early morning rush: asam pedas today, fish curry on other days. She’d open the packet to make sure it was intact—layers of newspaper lined with wax paper, or sometimes thin food plastic she had cut. She’d lean in to smell the package.

I’d lean in and take a peek. It always smelled delicious.

The canteen would be quiet at that hour—recess still a while away. Before she left, she’d ask if I needed the toilet so she could keep watch over my belongings.

I think she felt safer knowing I was at school, where someone could keep an eye on me, rather than alone at home. Whether it was Art Club, Running Club, or even Choir (!), she’d make sure she was the one to send me off—just so I wouldn’t have to manage the mornings by myself.

That small ritual went on for nearly two years.

Sometimes, after she left, I wished she could’ve stayed until my school session actually began. I’d see one or two classmates with stay-at-home mothers lingering with them, and I’d feel a quiet envy.

I remember asking her all kinds of silly questions just to make her stay a bit longer. Looking back, I now realise how much I treasured those quiet, undistracted mornings—just Mother and me.

Eventually, I learned to eat my lunch during the morning recess. It was easier than sitting alone during the break while others ate. Occasionally, a random kid would try to make fun of me sitting by myself. Eating early gave me comfort.

It was my way of showing that I, too, had something to eat.

Besides, by afternoon, the rice and curry would be soggy—harder to eat, and harder to hide from curious eyes and well-meaning but judgy mothers nearby. Even at that age, I could sense the subtle glances and whispers. I knew.

These days, whenever Mother’s Day comes around, it’s these quiet, small moments from primary school that come back to me. They’re the ones I hold closest. I had her all to myself—no older siblings competing for her attention, no distractions.

Just quiet mornings and the comforting scent of packed lunch, and the gentle presence of Mother, who was simply being a mother.

It was the best part of those days.

Mother and I, Joon Tong Road, circa 1973

Saturday, April 5, 2025

Creating with Purpose

Over the years, I’ve had the privilege to use my craft in media to serve something bigger than myself. Through my agency reeljuice, I’ve worked on projects that touch on mental health, faith, healing, and social responsibility - often with little budget, but full of heart.

In 2012, we made 5 mental health videos for ClubHEAL - on depression, bipolar, schizophrenia, obsessive-compulsive disorder.
It was (and still is) something that Malay families - and many Asian families, to a large extent - tend to avoid talking about, especially when it comes to a family member living with these conditions. Stigma is the worse form of prejudice. It hinders rehabilitation.
Still relevant today. Still being watched. One of the best NGOs I’ve worked with. Total creative freedom. A rare gem.

In 2016, I made a video to save water for wudhu. Green ummah project was a collaboration with Masjid Mujahidin. Do you know that all we need for wudhu is only about half litre of water (1 mudd)? It was a quite a revelation for me. Today? That same video plays at the mosque. The posters are still up in other mosques. Every time I take wudhu and see them - I smile quietly.
Deeds don’t expire.

In 2017, video project for Madrasah Al-Maarif's 80th anniversary - with full creative control.
I’ve always been fascinated by the madrasah journey. I’ve featured these institutions in many of my films, especially in the short film Ameen.
Biggest takeaway? Madrasah admissions, even at the primary level… is no walk in the park. This project also became a turning point in affirming my journey of creating videos as a form of amal, especially after listening to the stories of the Azatizahs.
It’s a whole discipline.

In 2018, we created a heartfelt video for stroke survivors. A collaboration with Stroke Support Station S3.
Once again - total trust, total freedom. It was about dignity. Healing. Hope.
The kind of work that matters.

Budgets?
Nothing to shout about.
But value? Beyond measure.
When intention is right, the reward isn't always money.

But A Word of Caution...
Not every agency has good intentions. Some will try to exploit your time, talent, and trust.
Go with your gut.
If your heart’s not in it, walk away.

Why I Do This?
These projects aren’t just media work - they’re spiritual work.
A way to externalise what's inside.
To give back.
To align intention with action.

Final Reflection:
If it helps someone…
If it lives beyond me…
If it earns even a drop of barakah…
Then that is success.

Importantly,
I am deeply grateful to every member of the production team, studios, post-production, crew, and cast who have walked this journey with me.
Your time, heart, and craft made these stories come alive. You know who you are.

May we continue to create with purpose - and may each project bring us closer to our collective calling.