Saturday, April 4, 2015

Prata Nights


It's one of those humid late nights where a freshly-made onion-egg prata (or two) would be the perfect night cap for this hungry heartlander. Thus hungry heartlander left flat and walked to the nearby prata shop where the friendly prata seller recognize hungry heartlander by name. Approaching the familiar friendly prata shop, hungry heartlander began to hear curses (of the 7 powerful words of a certain dialect variety - you know, the type that cursed your maternal roots) echoed along the walkway. Hungry heartlander walked to where the verbal abuses came from and thus identified the source of those 7 most powerful dialect words. Angry man was hurling those 7 powerful words (in various order yet, colourful nonetheless) at friendly prata man. It didn't take long to find out that angry man was furious that he was being (over)charged (?) S$8 for a murtabak. Angry man even began to flick his cigarette butt to friendly prata man. But friendly prata man kept his cool. 

The hungry heartlander - well he needed to order his onion-egg prata regardless, so had no choice but to stand next to angry man while the latter continued to hurl his powerful 7 dialect colourful words. As hungry heartlander stood at the counter, he could tell that angry man have had too much alcohol - thanks to the humid night breeze that blew at hungry heartlander on the face. 

That was when angry man tried to mimic hungry heartlander as he made his order, but as they said, the dog that barks the loudest is not the most ferocious (and it's useless to get into a brawl with a man whose only vocabulary was various versions of the 7 most powerful dialect words, really), thus hungry heartlander just kept his cool. But not before hungry heartlander's hungry stared hard at alcohol-laden, angry man with the 7 most powerful dialect words. True enough, like a harmless attention-seeking puppy, angry man walked away, rambling on with his 7 most powerful dialect words.

While savouring the onion-egg prata, hungry heartlander realised the ban on public consumption of alcohol between 2230-0700 daily in Singapore began this evening (April 1, 2015). Perhaps angry man was not aware. Perhaps angry man got his fix from greedy alcohol seller. Oh, did I mention that he was also smoking? Perhaps he missed the legal memo that said smoking indoors is banned too. For the longest time, such abuses in blue-collar estates where 80% of Singapreans live are common affairs, perhaps it's great to have such alcohol ban to protect innocent friendly prata seller and hungry heartlanders. 

You're welcome.

Saturday, March 28, 2015

Remembering Lee Kuan Yew

Lee Kuan Yew, the 1st former Prime Minister of Singapore passed away on 23 March 2015 at 0318hrs while most of the country was asleep .

A photo posted by Sanif Olek (@sanifee) on

I don't have the chance to know Lee Kuan Yew personally (other than the fiery speeches and clever rebuttals to questions in the media), but every time I see a lapel mic it takes me back to a time when I first started in this industry in 1996.

You see, I was an AP in a cheap production and there was no proper soundman in the room. Being the only person in the room who actually had some semblance of technical knowledge in sound (yeah Ngee Ann Polytchnic's FSV taught me well haha but I digress) I had the opportunity to fix this on Lee Kuan Yew personally. Yeah I fixed a mic onto his shirt and taped it near The Man's skin. 

To say I was starstruck was a huge understatement. He sensed this but what happened next carried me to this day.

He said, "JUST DO YOUR JOB...!".

Well it might not mean so much to you reading this but at that moment, I remembered he stared at me for a second, but there was also this sincerity to see me (I think he knew I was a 'newbie') treat him like a normal person - hard to describe in words.

At the end of the interview, he called my name (he remembered my name!) and said,"I hope I wasn't being hard on you, I want to see you succeed".

I wish the iPhone was invented in 1996 so I could take a selfie with him, but it was a different time.

This is the first time I shared this experience - ever. This memory has been too intimate for me and as you can see I've kept it for so long. Perhaps his passing is the right time for me to share the Lee Kuan Yew I knew as a person, albeit fleetingly.


A photo posted by Sanif Olek (@sanifee) on


He left behind a too huge legacy that will be pointless for me to state here (Google will be more helpful). Personally, I have never favoured some of his policies nor his brand of "Hard Truths". 

Nevertheless, one can never negate this badass for taking Singapore out of its seemingly hopeless Third World status during the sixties and turning it into a squeaky clean Southeast Asian, First World nation that some of its neighbours (and many other bigger nations around the world) can only emulate.

He led by trading emotion for economics, ideals for pragmatism and compassion for politics.
"He fought for its better instincts even when the evidence was ambiguous..." Henry A. Kissinger, on Lee Kuan Yew.

Saturday, March 14, 2015

Pesta Perdana 13


So it is here again.

The biggest prom night in Singapore Malay television - The Pesta Perdana. This edition of the awards ceremony will also commemorate fifty years of television in Singapore.

What's the best part about being nominated "Best Director" in a television series at the upcoming ‪Pesta Perdana 13‬? 

That ALL key people involved are also being nominated, because that's what ‪collaboration‬ is all about. Whatever the outcome, I've never considered myself the "Best" but I've been blessed to have collaborated with such gifted ensemble to bring out the best in everyone in the given circumstances.

Thus, congrats to Siti Hajar Abdul Gani, Nick Mikhail (Best Lead Actress and Actor respectively), Sofyan Daud Mohamed (Best DOP), post-production outfit-Flashforward Films (Best Editing) in "Bingit2; Fantasi Biru" (Best Drama Series). Also Seri Jaes, Zaidi Ibrahim (Best Lead Actress and Actor respectively) and Junaidah Eksan (Best Supporting Actress) in "Raya Bersama". 

I am truly blessed to be in great company with kickass artistes and creatives all around who are already winners. 

I'm humbled and thankful. ‪Alhamdulillah‬.

The results will be announced on 11 April 2015.

Tuesday, February 24, 2015

SAF50

A photo posted by Sanif Olek (@sanifee) on

To the sceptics in my community, I do not feel I ever need to justify myself on my involvement in SAF50. I am fully aware of the politics (read your Singapore social history books) and speculation of me being enlisted in the Singapore Armed Forces's 1st Commando Battalion. 

At the same time, I do not wish to apologise for being narcissistic about my experience in this elite military unit either (visit my Instagram, haha).

As citizens of a nation we are all subjected to national politics.

Importantly I would like to address that on a personal level, the experience in the unit has taught me to 'grow up', to be decisive, to be professional in execution and a smart soldier. Many may have warped perspectives of what wearing the red beret is all about. but the experience also taught me about compassion for humanity and loyalty. Back in National Service, we were different people from different backgrounds, raised in different environments were thrown together. It was the only time when one meets different people, people whom you otherwise wouldn’t have met by keeping to your own social group. I am privileged to be part of the esteemed and be trained alongside legendary men of character.

I may not agree with some of the national policies but I really care about my role as a contributing citizen of Singapore, thus it is my right to care for my country to defend it regardless of my vocation. In a democracy, loyalty to the country does not mean I need to be loyal to its governing policies.

Singapore is my home. 2015 marks the 50th year of the Singapore Armed Forces. The force has achieved so much since its inception - being formed in 1965 during Singapore's independence. Today we are being recognised as a strong and professional armed forces in the region and as a Singaporean, I am proud to be part of it. 

A photo posted by Sanif Olek (@sanifee) on

My thoughts on SAF50  
(Questions by the Ministry of Defence)
Some people have said that SAF training in the past was tougher than the present. What is your opinion on this?

In the past - the first generations of the army - many of the soldiers existed in a climate where training to be soldiers meant unquestioned regimental authority, individuality was secondary and fleeting self-reflexivity suppressed. The mantra to “sweat more during training to bleed less during war” further validated the idea that the self takes a backseat to achieve group goals. There was no social media where soldiers make their grievances public. I remember when I was a trainee, there was a saying among the senior trainers that in the old SAF, soldiers die for the country, whereas in the new SAF there is a danger that soldiers live for himself because authority is regularly being questioned. 
The trainers stressed that training needed to be more about building rugged, mental strength and survivability during war, rather than one that is driven by monetary incentives. The soldier prioritised team objectives and thinks for his country and nation. In war, battle will proceed regardless if the weather is CAT 1 or CAT 3. 
We often hear cases of a seemingly fit soldier dropping out - perhaps they have not trained hard enough. Thus, when push comes to shove they over exert and fall out or even drop dead. 
Too much dependence on gadgets may also negate initiative and hamper natural, ground-survival instincts that are imperative during battle. When batteries for gadgets run flat or touchscreens crack, the soldier can only depend on his natural instincts to complete a task and sustain his survival at the battle zone.  
All these perhaps made the older generations of soldiers perceptively, better soldiers. 


Share two defining moments – one positive, the other negative – in your SAF experience. 

The first defining, positive, moment was when I received my Red Beret. Throughout history, the Red Beret Commando represents one of the ultimate achievement that a soldier can receive in the army. For me, it was not just about personal achievement and glory, it was a bittersweet and humbling moment to be associated with glorious soldiers whose dedication to honour and excellence is second to none. I think deep down I shed tears of joy (and still is) at this accomplishment. It was also a moment when I understood the meaning of brotherhood and camaraderie, regardless of “race, language and religion”. In any battle, we seek to complete the task regardless of circumstances. Most importantly in the process, our bond grew tight that in any circumstances we never, ever leave a brother behind. 
The second defining moment, perhaps a negative one, was the constant physical and mental struggle I faced while going through the training towards achieving the Red Beret. There was often the self-doubt if I could suceed the gruelling tasks. All the tests conducted in the commando unit were always a notch higher compared to other infantry units. Besides that, being one of the rare Malay/Muslim person in the unit carried another level of expectations. I had to validate (albeit unnecessarily) my engagement and prove myself that my achievements in the unit were something that my community can be proud of. Nevertheless, my fellow trainees truly made the race issue insignificant, because in their eyes I was one of the brothers and as brothers, we needed to accomplish the rigorous training together. We treated one another unequivocally as fellow soldier. 


How have these instances and your SAF experience generally contributed to you as a person?

In the eyes of the public, being a commando may certainly put me in higher regard. Even as a civilian, the manner I carry myself personally and professionally personify the high expectations one would expect of an elite soldier. The mental conditioning during full time National Service makes a commando someone who can complete a task regardless of the circumstances. The nature of our ops made us mentally prepared for contingencies. Trust and integrity are second nature. As all commandos also are vocationally cross-trained, we tend to have the mental capacity to multitask. We are in many ways, seen as leaders.
In all these instances I have learnt that in life, respect is earned, never given. 


How has your SAF experience connected you to people and society?

In the commandos we were taught to appreciate everything that life has to offer and to respect fellow human being regardless of their background in society. As many operations in the unit are done in small groups, I learnt that collaboration and tolerance are keys to connect with people. In professional capacities, I thrive as a leader who listens to collaborators and surbodinates yet firm in making decisions. I think these traits have allowed me to achieve many things as a professional creative director. 
The diverse people I come in contact professionally and personally has made me evolve into someone with the capacity to empathise and be respectful of diverse perspectives. The only way to succeed and be ahead in life is to have the capacity to constantly view things differently out of the box. 


Imagine, within your experience, Singapore without the SAF. What do you see?

Without the SAF, each Singaporean will still need to oversee the basic aspect of national defence - to honour our citizenship.  
We need to honour our duty as responsible and disciplined Singaporeans. It is only when every single citizen have a clear idea of this commonality as Singaporeans that we can stand together as one people in camaraderie. What we may lack in technical defence machinery, we can stand together to rise against the enemy in common spirit as Singaporeans because history showed that the spirit of the mind can withstand further than all technology put together. 


How would you like to see the SAF develop?

I would like to see the SAF as a sophisticated organisation where each soldier first and foremost understand the reason for the need to defend Singapore - not just the superficial, vague notion to defend itself from an enemy, but also the need to appreciate why we are defending it.  
We may overwhelm the potential aggressor with the latest machinery but in my humble opinion, this is rather too simplistic. The human condition is bigger than that. The SAF can only be successful when socially, all Singaporeans are not ambivalent about its purpose. Every Singaporean citizen can contribute as individual, regardless of their background without prejudice, to the national defence. It is only when every citizen have a sense of belonging that everyone has the compulsion to protect our homeland - together - as Singaporeans.
A photo posted by Sanif Olek (@sanifee) on

A photo posted by Sanif Olek (@sanifee) on

Berita Harian; 19 February 2015 (click picture to read article)

Friday, January 23, 2015

TIN KOSONG (short film)


How do you feel abt Tin Kosong? What inspires you?
Before I decided on Tin Kosong, I was handed a list of titles written by notable Malay literary writers. Their stories are so varied (ie, personal, humour et al) and the genres written (ie science fiction, poems, contemporary fiction, historical) are so diverse. I have to admit that I was a little overwhelmed to read these good Malay texts and to pick something that I truly connect. The last time I actually read a book in the Malay language was during ‘A’ levels.

Out of these literary gems, I came across Tin Kosong, from Anugerah Bulan Buat Bonda, a collection of stories by Md Salihin Sulaiman. Tin Kosong is a collage of non-linear memories of an elderly, karung guni "rag and bone" man. It is written in simple prose. The subject matter is contemporary and the protagonist is someone that I could relate from various folks I meet regularly at my neighbourhood in Jurong. On picking a story, I felt that I need a material that I could connect emotionally to translate into the visual language effectively. When I read Tin Kosong, the story feels very grounded and alive, thus my decision.


What were challenges faced to make the short story into a film?
The biggest challenge is to translate the essence of the original literary text, truthfully and with respect. Before I wrote the treatment, I had a meeting with Salihin and discussed with him my concept for adapting his work, while he exchanged his inspiration for writing Tin Kosong. We had many ideas on how to translate his work into the visual form. I’m grateful that he liked my treatment.

The concept could have gone two ways; firstly, I could have approached it in a linear, rather conventional melodramatic manner or secondly, I could be more adventurous and put my spin to translate the text into a sophisticated, visual narrative yet keeping the essence of the original text. I chose the later.

To push the story concept, I have added a musical sequence using the song “Kalau Ke Singapura” by crooner, R Azmi. The lyrics of the song combined with the protagonist’s life journey enhanced the irony of living in a modern, progressive city.

The second challenge was my expectations of lead cast, Encik Khalid Baboo, in performing both the dramatic and musical sequences. He performed well, beyond my expectations with his professionalism as an actor.


About UTTER:
Presented by the National Arts Council, Utter is a special Singapore Writers Festival initiative which showcases the best of Singapore writing and celebrates its potential to be adapted into different media and across languages, giving audiences fresh perspectives and a deeper understanding of Singaporean authors. Utter is targeted at literary and film enthusiasts, but also hopes to reach out to the general audience to encourage greater appreciation for local literature. Utter 2014 features short films inspired by Singaporean literature. 
About Singapore Writers Festival:
The Singapore Writers Festival, one of Asia’s premier literary events, started in 1986 as a biennial festival. Now held yearly, the festival is a much anticipated event on the cultural calendar, presenting the world’s major literary talents to Singaporeans while shining a spotlight on home grown creative talents. The SWF is one of the few multi-lingual literary festivals in the world, celebrating the written and spoken word in Singapore’s official languages – English, Malay, Chinese and Tamil.

Thursday, January 8, 2015

Sayang Disayang on Singapore Airlines

"We find the films you love, to make your journey more meaningful"

I am proud to announce that my feature film, SAYANG DISAYANG - Singapore's official entry to the 2015 Oscars® (Best Foreign Language Film), takes the skies and flies high with Singapore Airlines from February 2015.

This is an honour to be associated with the coveted national carrier.

It's a great way to fly, Sayang.

A photo posted by Sanif Olek (@sanifee) on

#sayangMovie throwback 2009

On February 2009, principal shoot for Ramuan Rahasia began. Between then and 2013, the filmmaking process had evolved and became Sayang Disayang.

The following is a self-reminder that one can only plan but fate decides the outcome.

A photo posted by Sanif Olek (@sanifee) on

Quotes on #sayangMovie

It has been more than one year since my film, SAYANG DISAYANG, World Premiered at the SalaMindanaw International Film Festival on December 2013.

Presented here are a handful of memorable quotes on Sayang Disayang. Thank you so much for the kind words. I'm humbled.

A photo posted by Sanif Olek (@sanifee) on


A photo posted by Sanif Olek (@sanifee) on


A photo posted by Sanif Olek (@sanifee) on


A photo posted by Sanif Olek (@sanifee) on


A photo posted by Sanif Olek (@sanifee) on


Saturday, December 13, 2014

For Your Consideration (2015 OSCARS®; Foreign Language)

SAYANG DISAYANG is Singapore's entry at the 2015 Academy Awards® i.e. Oscars® (Foreign Language).

Kindly visit the film's fb page for updates.





Sunday, September 21, 2014

The Oscars?

I am pleased to announce that SAYANG DISAYANG has been selected by the Singapore Film Commission to represent Singapore for consideration by the Academy of Motion Picture Arts and Sciences at the Oscars 2015 in the Foreign Language category.
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.
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...wait, did I hear/write that right?

...it seems so surreal to mention SAYANG DISAYANG and the OSCARS in one sentence. Alhamdulillah. Insya-Allah. Amin.

(Read the film review of SAYANG DISAYANG here)




The Sun (1 Oct 2014, Malaysia)

The New Paper (25 September 2014, Singapore Press Holdings Ltd)